![]() ![]() ![]() Each week he made a pilgrimage to Ayrmer Cove on the pure shores of Devon to observe, admire, and photograph a rock jutting out of the ocean. This is the story of a private ritual that photographer Thomas Lohr performed every month for a year of his life. The ambitious viewer is invited to use this index to match the stone’s many faces with its environment.Īrt Direction & Book Design Heiko Buero Paris ![]() Each print of Gezeiten features a numerical stamp, indicating the date, time, and tidal height for each image. The influence of the tide-Gezeiten in Lohr’s native German-plays the most regular and dramatic role, robing and disrobing its base in sands and water. The rock, whose color and aspect change along with the season and light, weather and tide, transforms over the duration of a year. Gezeiten documents the photographer’s courtship of the stone and his attempt to uncover more of it with his camera. Beach-goers, dog-walkers, residents from nearby Ringmore parish shrug when asked about it: “What Rock?” And so Lohr, encouraged by local indifference, started making monthly visits to establish a relationship with the neglected sight. The stone, slick with Channel waters, shivers in sunny hours as if it were an abandoned sundial or forgotten idol. There, below the steep, pasture-topped cliffs, is a natural obelisk of slate reaching out of the Atlantic Ocean. Every month for a year, Thomas Lohr made a pilgrimage to Ayrmer Cove in Devon, England. ![]()
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